On May 8, 2025, King Charles III and Queen Camilla unveiled their official state portraits at London’s National Gallery, commemorating the second anniversary of their coronation. The King’s portrait, crafted by artist Peter Kuhfeld, depicts him in the Throne Room at St. James’ Palace, adorned in the Robe of State and his naval uniform, complete with medals and decorations. Queen Camilla’s portrait, painted by Paul S. Benney, showcases her in the Garden Room of Clarence House, wearing her coronation dress and the Robe of Estate, with her crown resting beside her.
Social Media Spots a Curious Detail
While the portraits were intended to capture the dignity and tradition of the monarchy, online observers quickly fixated on a particular element in King Charles’s portrait. Specifically, some viewers noted a feature draped over his right shoulder that they humorously likened to a bra. Comments on social media ranged from “Is that a bra thrown on his shoulder?” to more elaborate interpretations involving “bondage ties on the bed post.”
Clarifying the Misconception
Despite the playful speculation, the item in question is not lingerie but rather a part of the intricate detailing of the King’s ceremonial robe. The Robe of State, traditionally worn during the coronation service, features elaborate designs and embellishments that, when viewed from certain angles, might be misinterpreted by the untrained eye.
Artist’s Perspective on the Portrait
Peter Kuhfeld, the artist behind King Charles’s portrait, has a longstanding relationship with the royal family, having previously painted Princes William and Harry as children. Regarding the King’s reaction to the portrait, Kuhfeld remarked, “I think he was pleased. It’s a very odd thing for a sitter to look at themselves.” He emphasized the importance of capturing both the man and the monarch in his work.
Queen Camilla’s Portrait and Reception
Queen Camilla’s portrait, painted by Paul S. Benney, was also unveiled during the event. Benney described the sittings with the Queen as filled with engaging conversations and laughter, noting her wit and charm. Camilla expressed her approval of the finished piece, stating, “I think it’s really lovely.” Her daughter, Laura Lopes, also praised the portrait, adding to the positive reception.
Public Display and Future Exhibitions
The newly unveiled portraits are currently on display in the Central Hall of the National Gallery. They are scheduled to remain there until June, after which they will be moved to Buckingham Palace for permanent exhibition. The artworks aim to celebrate the royal couple’s roles and the traditions of the British monarchy.
Conclusion
While the unveiling of King Charles III’s portrait was a significant event marking his reign, the unexpected online reactions highlight the diverse interpretations art can evoke. Despite the humorous misreadings, the portraits stand as a testament to the enduring legacy and evolving image of the British royal family. The portraits have sparked widespread conversation not only about artistic interpretation but also about the evolving role of the monarchy in modern society. As the royal couple continues to adapt to a new era, these artworks serve as both a celebration of tradition and a reminder of the ever-watchful public eye.
